SHOKUTAKU

Located near Toritsu-daigaku Station in Meguro, Tokyo, this restaurant offers a selection of homestyle cooking paired with natural wine. While preserving the raw character of the former tenant’s interior, the renovation introduces bespoke counters tailored to the respective roles of the husband-and-wife owners. The kitchen-side counter repurposes the existing structure as its base, whereas the bar counter was newly fabricated from the ground up; both are unified with light blue terrazzo tile tops. A yellow glass shelf is positioned directly across from the entrance, serving as a vibrant focal point to welcome guests. By accenting the original textures and vintage furniture with light blue terrazzo and custom yellow elements, the design captures the cheerful and warm dining experience hosted by the couple.
Restaurant @ Toritsu-daigaku, Tokyo
Design: Yu Yamada, Suzu Shimabukuro /SNARK Inc.
Construction: Double Box
Steel products: gambit
Total area: 30.6㎡
Completion: Jul. 2025
Photo: Ippei Shinzawa

SNARK Souvenir Market

To walk the world and gather its stories, one souvenir at a time.
In the autumn of 2024, the members of SNARK Inc. ventured across Finland, Sri Lanka, and Taiwan, divided into four teams. This was a journey to touch the skin of a culture, to walk its rhythms, and to open one’s senses to the unknown. This exhibition brings together the beloved mementos found along the way—not merely objects, but vessels of the places they represent. Adhering to a humble rule —up to three items within a 3,000 yen budget, each with a story to tell— the collection presents small tokens imbued with the breath and memory of distant lands. Alongside these artifacts, we share travel routes, streetscapes, and museum maps, inviting visitors to trace the lingering essence of our journeys.
Planning: Natsuko Inoue /SNARK Inc.
Exhibitor: SNARK Inc. members
Photo: usagitocamera
Date: 21-22 & 28-29 Jun, 2025

House in Miyamotocho

This two-story wooden residence in Kiryu, Gunma, occupies a unique L-shaped lot with two street frontages. By positioning the house centrally to separate the parking from the garden, the design aligns all primary living spaces to the south, featuring a window nook that offers quiet views of the greenery. The plan fosters a lifestyle integrated with an evolving garden, while the materials and color palettes were meticulously balanced to harmonize the client’s antique collection with newly curated lighting.
Residence @ Kiryu, Gunma
Design: Rei Oshima, Takeo Arika, Noriko Koba /SNARK Inc.
Construction: Sakura Construction
Total area: 92.74㎡ (1F/46.37㎡ 2F/46.37㎡)
Completion: Jun. 2024
Photo: Ippei Shinzawa

EPOCH

Set within a lush, green environment, this office relocation project leverages expansive windows to integrate natural light into the workspace. The design facilitates a flexible environment where staff can choose their setting based on the day’s tasks or their personal mindset. While the main work areas utilize a beige-based palette to harmonize with existing furniture and foster a sense of calm, the meeting and open spaces transition to gray tones, creating a focused atmosphere with a productive sense of clarity. The strategic placement of the company’s art collection further enhances the interior, adding visual depth and clear sightlines throughout. By meticulously balancing material textures and lighting, the office achieves a cohesive, natural environment that feels both professional and inviting.
Office @ Kamiōsaki, Tokyo
Design: Yu Yamada, Mako Shimanuki, HoLing Cheng /SNARK Inc.
Construction: Koushou Inc.
Total area: 395.45㎡
Completion: Jul. 2025
Photo: Ippei Shinzawa

Past & Pages

Planning: Natsuko Inoue /SNARK Inc.
Exhibitor: なんだかとても, Suiran, yadorigi, warmth, 一年
Photo: usagitocamera
Date: 15-16 Feb, 2025

aretosore

Located along a shopping street in Sanjō, Niigata, this small baked-goods shop occupies a compact two-story building with a total floor area of just 21.8 m². On the ground floor, baked treats are displayed alongside an eight-seat counter where the shop can also operate as a café. Upstairs, a fully equipped kitchen is arranged to produce around 20 varieties of baked goods each day on a rotating menu. Given the shop’s modest scale, the design focuses on the sense of proximity between the owner, customers, and the pastries themselves. Circulation, fixture dimensions, and sightlines were refined down to the millimeter to create an experience that feels both intimate and comfortable. To highlight the character of the shop’s baked goods—infused with “this and that (aretosore),” as suggested by its name—the interior palette was intentionally kept minimal, forming a calm and cohesive backdrop. With a restrained material composition, the space allows the pastries to take center stage. The stairwell, finished in a silver tone that appears to float, draws daylight down to the shop below, creating a sense of openness within its compact interior. At the top of the stairs, a small window offers a glimpse into the kitchen, serving as a subtle device that sparks curiosity for everyone who visits.
Bakeshop @ Sanjo, Niigata
Design: Yu Yamada, Mami Umayahara, Suzu Shimabukuro /SNARK Inc.
Construction: Chuo Tochi Inc.
Steel products: gambit
Total area: 21.8㎡
Completion: Oct. 2025
Photo: Ippei Shinzawa

TUMO Gunma

This facility, located within a convention center in Takasaki, Gunma, is Asia’s first educational center dedicated to developing digital creativity. It introduces the internationally acclaimed program from TUMO, a digital education institute based in Armenia, offering junior and senior high school students the opportunity to learn cutting-edge digital skills free of charge. The program combines self-learning—where students move freely with their laptops to study anywhere within the facility—with workshops held in four dedicated workshop rooms.
Following TUMO’s global design guidelines, the layout and material palette were developed while integrating a distinctly Japanese sensibility through the use of Japan Blue, a traditional indigo dye color, as the key tone. Together with prefectural officials, we explored how to create a space that encourages students to come and learn independently, even within a self-directed environment.
In the main hall, which was formerly a 500-seat conference room, a new 70 cm-high floor structure modeled after natural terrain was introduced. Multiple learning spots were created to allow students to study in any posture they choose, breaking away from the conventional classroom layout of aligned desks and chairs. The change in height and body posture helps refresh the mind and sustain engagement in learning. To address the absence of natural light, the lighting system is programmed to change color temperature throughout the day, simulating natural daylight and helping maintain students’ circadian rhythms.
In the panoramic area overlooking Gunma’s mountains, eleven movable desks called TUMOBILE—locally fabricated based on 3D data—were installed, enabling flexible learning styles beneath a softly illuminated membrane ceiling. In the adjacent gallery area, a 21-meter-wide LED screen displays videos created by the students and streams live footage of the main learning space behind its enclosed walls.
This project was realized as part of Gunma Prefecture’s initiative to establish tsukurun, a creative hub for nurturing talent equipped with digital skills and the ability to generate new value. With the introduction of the TUMO program, the prefecture aims to expand and deepen its creative education efforts. We hope this new learning environment will broaden children’s future possibilities and cultivate individuals who can apply what they learn here to the world beyond.
Learning lab @ Takasaki, Gunma
Design: Rei Oshima, Noriko Koba, Takeo Arika /SNARK Inc.
Project management: Sunao Koase /SNARK Inc.
Design authority: Chris Shahinian, Arek Keshishian /TUMO International
Launch manager: Svetlana Simonian /TUMO International
Lighiting Design: Shosaku Takahashi /nosight co.,ltd
Construction: Taruya Construction
Total area: 1873.96㎡
Completion: Mar. 2025
Photo: Tomooki Kengaku